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Smooth or finely textured surfaces adorned mats up to about 1859. Then, intricate designs began appearing, stamped into very thin mats. Along with mat designs becoming more ornate, the preserver also became more intricate, and delicate.
The back of the glass was coated with a black lacquer or backed with black paper or cloth.
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See the Photographers used many of the same pieces and methods for packaging an ambrotype as they did for the daguerreotype (see Daguerreotype page).
Nearly all ambrotypes will have a preserver (if the packaging is original).